“If
you want to build a ship, then don't drum up men to
gather wood, give orders,
and divide the work. Rather, teach them to yearn for
the far and endless sea.”
Antoine de Saint-Exupery, 1900-1944, French writer
(“The little prince”)
Communication
describes the process of exchanging information, usually
via a common protocol. Humans communicate in order to
share knowledge and experiences, give or receive orders,
or cooperate. Common forms of human communication include
sign language, speaking, writing or gestures. New communication
technologies are being developed rapidly and made more
widely available. In the 21st century, the century of
modern technology and space travels, information is
power. The power that brings our lives together and
makes our dreams come true. In a world so small, without
boundaries and differences, communication is the true
source of the modern world. It provides our path for
the future.
The
current information revolution is dramatically increasing
the potential for sharing information across the globe.
But still emotional, cultural and physical communication
barriers remain, even grow. It is a commonplace to say
that our contemporary world is a complex one, whether
we look at the macro-level of international relations
or at the micro-level of everyday life. Overall, it
seems increasingly difficult for us to have an adequate
description and understanding of the world we live in,
and correspondingly, how we should communicate within
it.
“No
one would talk much in society, if he knew how often
he misunderstands others.”
Johann Wolfgang von Goethe, 1749-1832, German novelist,
dramatist, poet, humanist, scientist and philosopher.
As
immigration continues and communities of different cultures
mix together people will be exposed to new and perhaps
even unfamiliar customs, traditions, and languages in
their own communities. Today as many as 100 million
people are living outside the country of their birth,
but millions more latter-generation immigrants maintain
their ethnic identities. Technological advances like
the Internet allow contact with cultures around the
world at the touch of a key, national borders lose their
importance, but still failing to share a common communication
protocol remains an important barrier in many parts
of the world.
“A
world community can exist only with world communication,
which means something more than extensive shortwave
facilities scattered about the globe. It means common
understanding, a common tradition, common ideas, and
common ideals."
Robert M. Hutchins, 1899-1977, American educator and
university president.
Frank
Woo’s installation COMM.BLK tries to illustrate
the importance of communication and the growing challenge
of transferring information between regions and cultures.
He created a vivid demonstration of the power and danger
of communication. With COMM.BLK Frank Woo animates and
encourages visitors to participate and thus educates
through an interactive approach, hoping to leave a remaining
impact in people’s mind.
The
installation describes how the interpretation of the
same – verbally or nonverbally exchanged –
information varies according to the respective background
and influencing factors. The work portrays communication
from four different perspectives according to the four
points of the compass – North, East, South and
West.
COMM.BLK
also deals with the barriers, obstructions and blocking
factors of communication and the distortion of information
through perception, censorship or manipulation as to
be found in our everyday life. Visitors can physically
experience that in order to get a clear understanding
of certain information it may be necessary to give up
familiar and habitual communication patterns and to
shift paradigms by looking at the information from various
perspectives. Only to experience communication from
different angles can lead to a wide comprehension, without
this leap into different paradigms the absorption of
information will be limited to a distant impression
and connotation. Thus this installation demonstrates
clearly: Whether communication will imply positive or
negative effects, whether information evokes negative
or positive reactions, will crucially depend on the
respective context and point of view.
With
COMM.BLK Frank Woo created a colossal walkable art piece,
which predominantly consists of polystyrene, a polymer
made from the monomer styrene, a liquid hydrocarbon
that is commercially manufactured from petroleum. Polystyrene
was accidentally discovered in 1839 by Eduard Simon,
an apothecary in Berlin, Germany. The material is widely
used as insulation in building structures and as molded
packing material for cushioning fragile equipment inside
boxes. Frank Woo collected a vast amount of used polystyrene
from rubbish dumps and back lanes all around the city.
Polystyrene represents one of the non-recyclable wastes
of our society. Even though recycle programs for polystyrene
exist in other parts of the world, a respective system
has not been introduced in Malaysia due to the lacking
economic efficiency of polystyrene recycling. By transforming
used polystyrene into collectible art pieces, Frank
Woo wants to highlight the importance of environmental
protection through responsible handling of non-disposable
waste. Visitors can pick part of the artwork, their
collection will be signed by the artist and their pick
will be listed in the documentations on the artwork.
About the artist:
Frank Woo is a young artist from Hong Kong residing
in Malaysia. His candid approachability and creative
sensitivity along with his casual sincerity and brand
of spontaneity form his refreshing, distinct and atypical
personality. His previous installation works mainly
deal with green politics, issues of refuse and recycling,
his art pieces are composed from materials such as egg
trays, scraps of metal or pieces of wood that have been
discarded or junked by individuals, shops, factories.
He had even assembled wood discarded from coffin-making
industries for some of his installation works! Frank
Woo’s works include the famous gigantic sculpture
‘Dancing Shadow’, which is permanently exhibited
in the Hilton Hotel at KL Sentral.
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